Manorial Haori Violet

Latin manōrium, dwelling — adjectival suffix -al, derived from manēre (to remain). As a color modifier, manorial implies a saturated-and-aristocratic-and-rural quality, the deep-rich color of pre-modern English manor-house livery-and-tapestry tradition. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and patrician.

Japanese haori, short-jacket-over-kimono. As a color modifier, haori implies a Japanese-haori-and-short-jacket-over-kimono quality, the visual register of Edo-and-Meiji-haori-jacket hand-Japanese-haori-and-short-jacket-over-kimono Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa haori-and-Japanese-haori-and-short-jacket surfaces under Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa Edo-Tokugawa-and-Meiji-Tokyo Japanese-jacket-light. Sits at the modifier-and-textile end of the grid, parallel to kimono and sari in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.