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Frank Waft Teal

#4ab1d5
Notes

Frank Waft Teal (#4AB1D5) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (196°, 62%, 56%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4ab1d5
RGB
rgb(74, 177, 213)
HSL
hsl(196, 62%, 56%)
HWB
hwb(196 29% 16%)
OKLCH
oklch(71.5% 0.107 224.5)
P3
color(display-p3 0.4021 0.6853 0.8203)
HSV
hsv(196, 65%, 84%)
LAB
lab(67.80% -18.70 -26.98)
LCH
lch(67.80% 32.82 235.27)
CMYK
cmyk(65%, 17%, 0%, 16%)

Etymology

Frank
adjective

From the Old French franc, free, sincere — used as a color modifier since the seventeenth century for hues that read as direct and unhedged. Frank red, frank brown: moderate-to-high saturation combined with optical directness. Sits at the crisp-bucket alongside direct and honest.

Waft
modifier

Middle English waft, related to wafian, to-wave-in-air. As a color modifier, waft implies a gently-conveyed-and-air-borne-and-drifting quality, the visual register of incense-and-rose-petal-waft hand-gently-conveyed-and-air-borne-and-drifting incense-and-rose-petal-and-summer-curtain wafted-and-gently-conveyed-and-air-borne surfaces under incense-and-rose-petal-and-summer-curtain church-thurible-and-walled-rose-garden-and-open-window airborne-drift-light. Sits at the modifier-and-mood end of the grid, parallel to drift and mist in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4ab1d5
Original
#9dadd7
Protanopia
#899fd5
Deuteranopia
#00bcbd
Tritanopia
#9e9e9e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4AB1D5
Display P3
Display P3
color(display-p3 0.4021 0.6853 0.8203)
P3 has subtle headroomOKLCH chroma 0.107

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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