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Beaming Cay Malachite

#49df95
Notes

Beaming Cay Malachite (#49DF95) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (150°, 70%, 58%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#49df95
RGB
rgb(73, 223, 149)
HSL
hsl(150, 70%, 58%)
HWB
hwb(150 29% 13%)
OKLCH
oklch(80.7% 0.165 157.5)
P3
color(display-p3 0.4682 0.8627 0.6082)
HSV
hsv(150, 67%, 87%)
LAB
lab(79.82% -56.14 25.03)
LCH
lch(79.82% 61.47 155.97)
CMYK
cmyk(67%, 0%, 33%, 13%)

Etymology

Beaming
adjective

The progressive participle of beam, to emit a directional light — used as a color word since the nineteenth century for hues that read as if focused and projecting. Beaming yellow, beaming pink: the implication is luminance combined with directionality. Sits at the bright-bucket center alongside radiant and glowing.

Cay
modifier

Spanish cayo via Taíno cayo, low-island. As a color modifier, cay implies a tropical-coral-and-sand-spit quality, the visual register of Caribbean-and-Bahamian small low-tide reef-and-sand-spit sun-bleached-coral coastal surfaces in turquoise-water shallow-tropical light. Sits at the modifier-and-place end of the grid, parallel to isle and spit in usage.

Malachite
noun

A copper carbonate mineral — Cu₂CO₃(OH)₂ — that crystallizes as concentric green bands in oxidized copper deposits. Mined for ornamental stone since ancient Egypt, ground into pigment for medieval European painting, polished into the malachite columns of the Russian Hermitage. The color refers to a polished cabochon: a saturated, slightly muted green with the high shine of stone and the visible banding of growth rings.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#49df95
Original
#ddce90
Protanopia
#cac09a
Deuteranopia
#00ddcc
Tritanopia
#bababa
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##49DF95
Display P3
Display P3
color(display-p3 0.4682 0.8627 0.6082)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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