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Smooth Reach Verdigris

#49aea7
Notes

Smooth Reach Verdigris (#49AEA7) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 41%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#49aea7
RGB
rgb(73, 174, 167)
HSL
hsl(176, 41%, 48%)
HWB
hwb(176 29% 32%)
OKLCH
oklch(69.0% 0.094 189.0)
P3
color(display-p3 0.3958 0.6737 0.6528)
HSV
hsv(176, 58%, 68%)
LAB
lab(65.34% -30.86 -5.23)
LCH
lch(65.34% 31.30 189.62)
CMYK
cmyk(58%, 0%, 4%, 32%)

Etymology

Smooth
adjective

Old English smōþ, level, polished — used as a color modifier since the seventeenth century for hues that read as continuous without texture or break. Smooth tan, smooth gray: moderate saturation combined with optical evenness. Sits in the crisp-bucket alongside even.

Reach
modifier

Old English ræcan, to extend. As a color modifier, reach implies a tidal-river-stretch quality, the visual register of Thames-Reach-and-Severn-Reach mid-river deep-water tidal-stretch-and-mudflat working-river surfaces under London-Thames-and-Severn-Estuary tidal-river overcast working light. Sits at the modifier-and-place end of the grid, parallel to strand and bank in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#49aea7
Original
#a5a5a7
Protanopia
#959aa8
Deuteranopia
#00b2ac
Tritanopia
#989898
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.90:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##49AEA7
Display P3
Display P3
color(display-p3 0.3958 0.6737 0.6528)
P3 has subtle headroomOKLCH chroma 0.094

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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