colors
Back to gallery

Settled Uranus Verdigris

#49a885
Notes

Settled Uranus Verdigris (#49A885) is a true teal with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (158°, 39%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#49a885
RGB
rgb(73, 168, 133)
HSL
hsl(158, 39%, 47%)
HWB
hwb(158 29% 34%)
OKLCH
oklch(66.5% 0.105 166.2)
P3
color(display-p3 0.3876 0.6506 0.5302)
HSV
hsv(158, 57%, 66%)
LAB
lab(62.60% -36.62 9.74)
LCH
lch(62.60% 37.89 165.11)
CMYK
cmyk(57%, 0%, 21%, 34%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Uranus
modifier

Greek Οὐρανός, primeval-sky-god-and-seventh-planet. As a color modifier, uranus implies a primeval-sky-god-and-pale-cyan-seventh-planet quality, the visual register of Greek-Uranus-and-Herschel-discovery hand-primeval-sky-god-and-pale-cyan-seventh-planet Greek-Uranus-and-Herschel-discovery-and-tilted-axis uranus-and-primeval-sky-god surfaces under Greek-Uranus-and-Herschel-discovery-and-tilted-axis 1781-Slough-discovery-and-side-rolling-planet pale-cyan-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to neptune and saturn in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#49a885
Original
#a59d83
Protanopia
#979387
Deuteranopia
#1ca89e
Tritanopia
#919191
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##49A885
Display P3
Display P3
color(display-p3 0.3876 0.6506 0.5302)
P3 has subtle headroomOKLCH chroma 0.105

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas