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Symmetrical Nadir Lagoon

#48a8c5
Notes

Symmetrical Nadir Lagoon (#48A8C5) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (194°, 52%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#48a8c5
RGB
rgb(72, 168, 197)
HSL
hsl(194, 52%, 53%)
HWB
hwb(194 28% 23%)
OKLCH
oklch(68.6% 0.099 221.0)
P3
color(display-p3 0.3853 0.6505 0.7597)
HSV
hsv(194, 63%, 77%)
LAB
lab(64.49% -19.29 -23.21)
LCH
lch(64.49% 30.18 230.27)
CMYK
cmyk(63%, 15%, 0%, 23%)

Etymology

Symmetrical
adjective

Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.

Nadir
modifier

Arabic naẓīr, opposite-of-zenith. As a color modifier, nadir implies a downward-pointing-and-low-point quality, the visual register of celestial-sphere-and-downward-Nadir hand-downward-pointing-and-low-point celestial-sphere-and-downward-and-Nadir-pole nadir-and-downward-pointing-and-low-point surfaces under celestial-sphere-and-downward-and-Nadir-pole astronomical-and-celestial-mechanics downward-axis-light. Sits at the modifier-and-cosmic end of the grid, parallel to zenith and axis in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#48a8c5
Original
#97a4c7
Protanopia
#8597c5
Deuteranopia
#00b1b1
Tritanopia
#969696
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.73:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.68:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##48A8C5
Display P3
Display P3
color(display-p3 0.3853 0.6505 0.7597)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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