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Stable Glen Sky

#4891cc
Notes

Stable Glen Sky (#4891CC) is a true azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (207°, 56%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4891cc
RGB
rgb(72, 145, 204)
HSL
hsl(207, 56%, 54%)
HWB
hwb(207 28% 20%)
OKLCH
oklch(63.6% 0.115 245.4)
P3
color(display-p3 0.3551 0.5619 0.7806)
HSV
hsv(207, 65%, 80%)
LAB
lab(58.02% -4.39 -37.14)
LCH
lch(58.02% 37.40 263.26)
CMYK
cmyk(65%, 29%, 0%, 20%)

Etymology

Stable
adjective

Latin stabilis, standing-firm — sharing root with stand. As a color modifier, stable implies a clear-and-firm-and-unchanging quality where the hue carries the visual register of resistant-to-modulation-and-fade pigmentation. Sits at the crisp-and-firm end of the grid, parallel to steady and settled in usage.

Glen
modifier

Scottish-Gaelic gleann, narrow valley between hills. As a color modifier, glen implies a sheltered-and-mossy quality, the visual register of Scottish-Highland deep-cut river-valleys with peat-water-and-bracken hand-cut shieling-and-bothy crofting-life surfaces under Highland-and-overcast sky. Sits at the modifier-and-place end of the grid, parallel to vale and dell in usage.

Sky
noun

The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4891cc
Original
#7793cf
Protanopia
#6586cb
Deuteranopia
#009fa6
Tritanopia
#868686
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.39:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4891CC
Display P3
Display P3
color(display-p3 0.3551 0.5619 0.7806)
P3 has subtle headroomOKLCH chroma 0.115

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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