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Balanced Buffed Turquoise

#48738a
Notes

Balanced Buffed Turquoise (#48738A) is a true azure with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (201°, 31%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#48738a
RGB
rgb(72, 115, 138)
HSL
hsl(201, 31%, 41%)
HWB
hwb(201 28% 46%)
OKLCH
oklch(53.3% 0.060 232.8)
P3
color(display-p3 0.3204 0.4466 0.5321)
HSV
hsv(201, 48%, 54%)
LAB
lab(46.28% -8.27 -17.22)
LCH
lch(46.28% 19.10 244.34)
CMYK
cmyk(48%, 17%, 0%, 46%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Buffed
modifier

Old French buffer, to-puff. As a color modifier, buffed implies a polished-and-shined quality, the visual register of Sheffield-and-Renaissance-buffed-and-polished hand-buffed-and-polished metal-and-leather-and-wood Sheffield-and-Renaissance-buffed-and-polished surfaces under Sheffield-and-Renaissance hand-buffed-and-polished workshop-light. Sits at the modifier-and-texture end of the grid, parallel to honed and gloss in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#48738a
Original
#68728b
Protanopia
#5f6a8a
Deuteranopia
#2a797a
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.13:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##48738A
Display P3
Display P3
color(display-p3 0.3204 0.4466 0.5321)
Inside sRGBOKLCH chroma 0.060

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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