Heavy Horus Violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Egyptian Heru, falcon-headed-sky-god. As a color modifier, horus implies a falcon-headed-and-Eye-of-Horus quality, the visual register of Egyptian-Horus-and-Edfu-temple hand-falcon-headed-and-Eye-of-Horus Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh horus-and-falcon-headed-and-Eye-of-Horus surfaces under Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh Edfu-Aswan-temple-and-falcon-throne falcon-eye-light. Sits at the modifier-and-myth end of the grid, parallel to isis and thoth in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.