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Magisterial Cobalt

#484dfa
Notes

Magisterial Cobalt (#484DFA) is a true blue with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (238°, 95%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#484dfa
RGB
rgb(72, 77, 250)
HSL
hsl(238, 95%, 63%)
HWB
hwb(238 28% 2%)
OKLCH
oklch(53.6% 0.250 272.9)
P3
color(display-p3 0.2859 0.3013 0.9438)
HSV
hsv(238, 71%, 98%)
LAB
lab(43.63% 52.62 -86.16)
LCH
lch(43.63% 100.96 301.41)
CMYK
cmyk(71%, 69%, 0%, 2%)

Etymology

Magisterial
adjective

Latin magisterium, teacher's office — adjectival suffix -al. As a color modifier, magisterial implies a saturated-and-authoritative-and-formal quality, the deep-rich color of Qing-dynasty civil-magistrate court-and-ritual textiles and Imperial-Examination scholar-class livery. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and commanding.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#484dfa
Original
#0070ff
Protanopia
#005ff7
Deuteranopia
#007d9e
Tritanopia
#585858
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##484DFA
Display P3
Display P3
color(display-p3 0.2859 0.3013 0.9438)
P3 has visible headroomOKLCH chroma 0.250

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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