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Inviting Wool Turquoise

#47d4c7
Notes

Inviting Wool Turquoise (#47D4C7) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (174°, 62%, 55%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#47d4c7
RGB
rgb(71, 212, 199)
HSL
hsl(174, 62%, 55%)
HWB
hwb(174 28% 17%)
OKLCH
oklch(79.2% 0.120 186.2)
P3
color(display-p3 0.4476 0.8202 0.7790)
HSV
hsv(174, 67%, 83%)
LAB
lab(77.61% -40.22 -4.60)
LCH
lch(77.61% 40.49 186.52)
CMYK
cmyk(67%, 0%, 6%, 17%)

Etymology

Inviting
adjective

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Wool
modifier

Old English wull, wool. As a color modifier, wool implies a sheep-fleece-and-warm quality, the visual register of Cotswold-and-Welsh-and-Highland hand-spun-and-hand-woven sheep-fleece-and-felted Cotswold-Welsh-Highland wool-textile surfaces under hand-spun-and-felted-wool textile light. Sits at the modifier-and-texture end of the grid, parallel to silk and yarn in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#47d4c7
Original
#c9c9c7
Protanopia
#b5b9c9
Deuteranopia
#00d9d0
Tritanopia
#b5b5b5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.82:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.51:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##47D4C7
Display P3
Display P3
color(display-p3 0.4476 0.8202 0.7790)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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