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Heavy Lāzhuward

#4789f9
Notes

Heavy Lāzhuward (#4789F9) is a true azure with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (218°, 94%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4789f9
RGB
rgb(71, 137, 249)
HSL
hsl(218, 94%, 63%)
HWB
hwb(218 28% 2%)
OKLCH
oklch(64.4% 0.180 260.3)
P3
color(display-p3 0.3428 0.5311 0.9461)
HSV
hsv(218, 71%, 98%)
LAB
lab(58.10% 15.80 -62.09)
LCH
lch(58.10% 64.06 284.27)
CMYK
cmyk(71%, 45%, 0%, 2%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Lāzhuward
noun

The Persian word for lapis lazuli — the etymological source of every Western language's word for azure (Arabic al-lāzaward → Old French azur → English azure). Lāzhuward names the stone mined from the Sar-e-Sang valley of Afghanistan. The color refers to a polished Afghan lapis cabochon: a saturated, slightly cool deep blue with the matte finish of high-grade lapis.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4789f9
Original
#4f94fd
Protanopia
#2984f7
Deuteranopia
#00a3b5
Tritanopia
#838383
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.21:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4789F9
Display P3
Display P3
color(display-p3 0.3428 0.5311 0.9461)
P3 has visible headroomOKLCH chroma 0.180

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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