colors
Back to gallery

Hyper Nave Peridot

#46dc91
Notes

Hyper Nave Peridot (#46DC91) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (150°, 68%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#46dc91
RGB
rgb(70, 220, 145)
HSL
hsl(150, 68%, 57%)
HWB
hwb(150 27% 14%)
OKLCH
oklch(79.8% 0.166 157.0)
P3
color(display-p3 0.4583 0.8510 0.5932)
HSV
hsv(150, 68%, 86%)
LAB
lab(78.77% -56.26 25.67)
LCH
lch(78.77% 61.84 155.48)
CMYK
cmyk(68%, 0%, 34%, 14%)

Etymology

Hyper
adjective

Greek hyper, over / beyond — sharing root with Latin super. As a color modifier, hyper implies a saturated-and-over-the-top-active quality where the hue exceeds normal visual amplitude with maximum-stimulation register. Sits at the bright-and-over-active end of the grid, parallel to manic and frenetic in usage.

Nave
modifier

Latin navis, ship. As a color modifier, nave implies a long-cathedral-central-aisle quality, the visual register of Romanesque-and-Gothic-cathedral hand-built central-aisle nave-and-clerestory-and-vault architectural surfaces under Gothic-and-Romanesque clerestory-and-stained-glass light. Sits at the modifier-and-architecture end of the grid, parallel to apse and aisle in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#46dc91
Original
#dacb8c
Protanopia
#c7bd96
Deuteranopia
#00dac9
Tritanopia
#b7b7b7
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.76:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##46DC91
Display P3
Display P3
color(display-p3 0.4583 0.8510 0.5932)
P3 has subtle headroomOKLCH chroma 0.166

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas