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Polished Bard Turquoise

#46b8c7
Notes

Polished Bard Turquoise (#46B8C7) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (187°, 54%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#46b8c7
RGB
rgb(70, 184, 199)
HSL
hsl(187, 54%, 53%)
HWB
hwb(187 27% 22%)
OKLCH
oklch(72.4% 0.103 207.4)
P3
color(display-p3 0.4037 0.7121 0.7710)
HSV
hsv(187, 65%, 78%)
LAB
lab(69.26% -27.17 -17.07)
LCH
lch(69.26% 32.09 212.14)
CMYK
cmyk(65%, 8%, 0%, 22%)

Etymology

Polished
adjective

Latin polīre, to polish — past-participle of polish. As a color modifier, polished implies a clear-and-smooth-and-glossy quality where the hue carries the visual register of buffed-and-burnished smooth-finish surface. Sits at the crisp-and-finished end of the grid, parallel to burnished and gleaming in usage.

Bard
modifier

Welsh bardd, poet. As a color modifier, bard implies a Welsh-and-Irish-poet-and-storyteller quality, the visual register of Welsh-Eisteddfod-and-Irish-Bardic hand-spoken poet-and-harp-and-eisteddfod oral-tradition Celtic-bardic surfaces under Welsh-Eisteddfod-and-Irish-Bardic hand-spoken-poet-and-harp oral-tradition Celtic-bardic gathering light. Sits at the modifier-and-cultural end of the grid, parallel to druid and celtic in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#46b8c7
Original
#a9b1c8
Protanopia
#96a3c7
Deuteranopia
#00c0bc
Tritanopia
#a1a1a1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##46B8C7
Display P3
Display P3
color(display-p3 0.4037 0.7121 0.7710)
P3 has subtle headroomOKLCH chroma 0.103

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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