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Plotted Hour Verdigris

#46b3ab
Notes

Plotted Hour Verdigris (#46B3AB) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 44%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#46b3ab
RGB
rgb(70, 179, 171)
HSL
hsl(176, 44%, 49%)
HWB
hwb(176 27% 30%)
OKLCH
oklch(70.2% 0.099 188.4)
P3
color(display-p3 0.3965 0.6928 0.6685)
HSV
hsv(176, 61%, 70%)
LAB
lab(66.88% -32.72 -5.17)
LCH
lch(66.88% 33.12 188.98)
CMYK
cmyk(61%, 0%, 4%, 30%)

Etymology

Plotted
adjective

Old English plot, small piece of ground — past-participle of plot. As a color modifier, plotted implies a clear-and-coordinate-mapped quality, the crisp color of Cartesian-and-graph-paper coordinate-plotted scientific-and-engineering data-visualization plot-line. Sits at the crisp-and-mapped end of the grid, parallel to mapped and surveyed in usage.

Hour
modifier

Latin hōra, time-of-day. As a color modifier, hour implies a single-time-period quality, the visual register of Edwardian-and-Victorian household clock-marked single-hour-of-the-day domestic-and-formal interior surfaces under hour-by-hour pendulum-clock day-light. Sits at the modifier-and-time end of the grid, parallel to bell and vesper in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#46b3ab
Original
#aaaaab
Protanopia
#999eac
Deuteranopia
#00b7b0
Tritanopia
#9b9b9b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.53:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##46B3AB
Display P3
Display P3
color(display-p3 0.3965 0.6928 0.6685)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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