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Hefty Caraway Ultramarine

#468bf8
Notes

Hefty Caraway Ultramarine (#468BF8) is a true azure with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (217°, 93%, 62%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#468bf8
RGB
rgb(70, 139, 248)
HSL
hsl(217, 93%, 62%)
HWB
hwb(217 27% 3%)
OKLCH
oklch(64.7% 0.177 259.3)
P3
color(display-p3 0.3427 0.5387 0.9426)
HSV
hsv(217, 72%, 97%)
LAB
lab(58.55% 14.10 -60.82)
LCH
lch(58.55% 62.43 283.05)
CMYK
cmyk(72%, 44%, 0%, 3%)

Etymology

Hefty
adjective

Old English hefig, heavy — adjectival suffix -y. As a color modifier, hefty implies a saturated-and-substantial-and-weighty quality where the hue carries the visual heft of a hand-cast pig-iron object. Sits at the bold-and-weighty end of the grid, parallel to substantial and weighty in usage.

Caraway
modifier

Arabic al-karawiyā, aromatic-rye-bread-seed. As a color modifier, caraway implies an aromatic-rye-bread-and-Central-European-seed quality, the visual register of Bavarian-and-Central-European-caraway hand-aromatic-rye-bread-and-Central-European-seed Bavarian-and-Central-European-caraway-and-Czech-and-Hungarian-rye caraway-and-aromatic-rye-bread surfaces under Bavarian-and-Central-European-caraway-and-Czech-and-Hungarian-rye Bavaria-and-Bohemia-and-Hungary Central-European-rye-light. Sits at the modifier-and-flavor end of the grid, parallel to cumin and anise in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#468bf8
Original
#5496fc
Protanopia
#3185f6
Deuteranopia
#00a5b5
Tritanopia
#848484
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##468BF8
Display P3
Display P3
color(display-p3 0.3427 0.5387 0.9426)
P3 has subtle headroomOKLCH chroma 0.177

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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