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Tucked Nereid Verdigris

#45aeaa
Notes

Tucked Nereid Verdigris (#45AEAA) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (178°, 43%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#45aeaa
RGB
rgb(69, 174, 170)
HSL
hsl(178, 43%, 48%)
HWB
hwb(178 27% 32%)
OKLCH
oklch(68.9% 0.096 191.7)
P3
color(display-p3 0.3872 0.6735 0.6634)
HSV
hsv(178, 60%, 68%)
LAB
lab(65.31% -30.78 -6.96)
LCH
lch(65.31% 31.56 192.74)
CMYK
cmyk(60%, 0%, 2%, 32%)

Etymology

Tucked
adjective

Old English tūcian, to torment / pull — past-participle of tuck. As a color modifier, tucked implies a clear-and-fitted-and-arranged quality where the hue carries the visual register of carefully-tucked-and-neatly-fitted shirt-into-trouser dress-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Nereid
modifier

Greek Νηρηΐς, sea-nymph-daughter-of-Nereus. As a color modifier, nereid implies a sea-nymph-and-Aegean-foam quality, the visual register of Hellenic-Nereid-and-Aegean-sea-nymph hand-sea-nymph-and-Aegean-foam Hellenic-Nereid-and-Aegean-sea-nymph-and-Poseidon-court nereid-and-sea-nymph-and-Aegean-foam surfaces under Hellenic-Nereid-and-Aegean-sea-nymph-and-Poseidon-court Aegean-island-and-rocky-cove sea-nymph-light. Sits at the modifier-and-myth end of the grid, parallel to nymph and dryad in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#45aeaa
Original
#a4a6aa
Protanopia
#9499ab
Deuteranopia
#00b3ac
Tritanopia
#979797
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##45AEAA
Display P3
Display P3
color(display-p3 0.3872 0.6735 0.6634)
P3 has subtle headroomOKLCH chroma 0.096

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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