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Level Arbor Lagoon

#45a2c5
Notes

Level Arbor Lagoon (#45A2C5) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (196°, 52%, 52%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#45a2c5
RGB
rgb(69, 162, 197)
HSL
hsl(196, 52%, 52%)
HWB
hwb(196 27% 23%)
OKLCH
oklch(67.1% 0.101 226.2)
P3
color(display-p3 0.3704 0.6273 0.7583)
HSV
hsv(196, 65%, 77%)
LAB
lab(62.62% -16.62 -26.09)
LCH
lch(62.62% 30.93 237.50)
CMYK
cmyk(65%, 18%, 0%, 23%)

Etymology

Level
adjective

Latin libella, small-balance / level-tool — sharing root with libra (balance). As a color modifier, level implies a clear-and-horizontal-true quality where the hue carries the visual register of gravity-perpendicular-and-perfectly-horizontal surface. Sits at the crisp-and-balanced end of the grid, parallel to plumb and flat in usage.

Arbor
modifier

Latin arbor, tree-or-trunk. As a color modifier, arbor implies a Latin-tree-and-vine-arbor quality, the visual register of Pliny-Natural-History-and-Roman-villa-arbor hand-Latin-tree-and-vine-arbor Pliny-Natural-History-and-Roman-villa-arbor-and-pergola arbor-and-Latin-tree-and-vine-arbor surfaces under Pliny-Natural-History-and-Roman-villa-arbor-and-pergola Pompeii-and-Tuscan-pergola-and-grape-arbor leafy-shade-light. Sits at the modifier-and-Latin end of the grid, parallel to via and domus in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#45a2c5
Original
#8f9fc7
Protanopia
#7d92c5
Deuteranopia
#00acad
Tritanopia
#919191
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##45A2C5
Display P3
Display P3
color(display-p3 0.3704 0.6273 0.7583)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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