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Practical Opus Turquoise

#45a1a0
Notes

Practical Opus Turquoise (#45A1A0) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (179°, 40%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#45a1a0
RGB
rgb(69, 161, 160)
HSL
hsl(179, 40%, 45%)
HWB
hwb(179 27% 37%)
OKLCH
oklch(65.4% 0.087 194.3)
P3
color(display-p3 0.3691 0.6234 0.6237)
HSV
hsv(179, 57%, 63%)
LAB
lab(61.04% -27.21 -7.70)
LCH
lch(61.04% 28.28 195.81)
CMYK
cmyk(57%, 0%, 1%, 37%)

Etymology

Practical
adjective

Greek praktikós, practical — adjectival suffix -al. As a color modifier, practical implies a clear-and-purpose-fit-and-everyday quality where the hue carries the visual register of Shaker-and-Quaker utilitarian-and-functional everyday-life craft. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

Opus
modifier

Latin opus, work-or-composition. As a color modifier, opus implies a Latin-work-and-Magnum-Opus-and-Opus-Dei quality, the visual register of Magnum-Opus-and-musical-opus-number hand-Latin-work-and-Magnum-Opus-and-Opus-Dei Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus opus-and-Latin-work surfaces under Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus monastic-scriptorium-and-medieval-cathedral-fabric craft-and-composition-light. Sits at the modifier-and-Latin end of the grid, parallel to magnus and ergo in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#45a1a0
Original
#989aa0
Protanopia
#898fa1
Deuteranopia
#00a6a0
Tritanopia
#8d8d8d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.06:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##45A1A0
Display P3
Display P3
color(display-p3 0.3691 0.6234 0.6237)
P3 has subtle headroomOKLCH chroma 0.087

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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