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Steadfast Sewn Ultramarine

#457fdf
Notes

Steadfast Sewn Ultramarine (#457FDF) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (217°, 71%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#457fdf
RGB
rgb(69, 127, 223)
HSL
hsl(217, 71%, 57%)
HWB
hwb(217 27% 13%)
OKLCH
oklch(60.5% 0.158 259.9)
P3
color(display-p3 0.3257 0.4925 0.8479)
HSV
hsv(217, 69%, 87%)
LAB
lab(53.78% 12.41 -54.55)
LCH
lch(53.78% 55.94 282.81)
CMYK
cmyk(69%, 43%, 0%, 13%)

Etymology

Steadfast
adjective

Old English stede-fæst, fixed in place — sharing root with German stetig. As a color modifier, steadfast implies a saturated-and-unwavering quality where the hue maintains its visual character without modulation. Sits at the bold-and-firm end of the grid, parallel to unwavering and firm in usage.

Sewn
modifier

Old English sēowan, to-sew. As a color modifier, sewn implies a hand-stitched-and-joined quality, the visual register of hand-sewn-and-stitched-textile hand-needle-and-thread-stitched needle-and-thread-and-bobbin hand-sewn-and-stitched-textile surfaces under hand-sewn-and-stitched-textile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to tied and woven in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#457fdf
Original
#5188e3
Protanopia
#367add
Deuteranopia
#0095a4
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.92:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.35:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##457FDF
Display P3
Display P3
color(display-p3 0.3257 0.4925 0.8479)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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