Starched Persia Verdigris

Old English stercan, to stiffen — past-participle of starch. As a color modifier, starched implies a clear-and-stiff-and-formal quality, the crisp color of Edwardian-period formal-evening-shirt-and-collar starched-and-pressed dress-attire. Sits at the crisp-and-finished end of the grid, parallel to pressed and ironed in usage.

Latin Persia, Persia. As a color modifier, persia implies an Achaemenid-and-Safavid-Imperial quality, the visual register of Achaemenid-Persia-and-Safavid-Persia hand-built Persepolis-and-Isfahan-and-Persian-rug-and-tile Imperial-Persian surfaces under Persepolis-and-Isfahan Achaemenid-and-Safavid Imperial-Persian high-desert light. Sits at the modifier-and-cultural end of the grid, parallel to median and achaemenid in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.