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Serviceable Spire Verdigris

#44b3ad
Notes

Serviceable Spire Verdigris (#44B3AD) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (177°, 45%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#44b3ad
RGB
rgb(68, 179, 173)
HSL
hsl(177, 45%, 48%)
HWB
hwb(177 27% 30%)
OKLCH
oklch(70.2% 0.100 190.1)
P3
color(display-p3 0.3924 0.6928 0.6757)
HSV
hsv(177, 62%, 70%)
LAB
lab(66.89% -32.52 -6.28)
LCH
lch(66.89% 33.12 190.93)
CMYK
cmyk(62%, 0%, 3%, 30%)

Etymology

Serviceable
adjective

Latin servītium, service — adjectival suffix -able. As a color modifier, serviceable implies a clear-and-fit-for-purpose-and-durable quality where the hue carries the visual register of long-lasting-and-functional everyday-use design. Sits at the crisp-and-functional end of the grid, parallel to practical and utilitarian in usage.

Spire
modifier

Old English spīr, blade-of-grass / point. As a color modifier, spire implies a tall-pointed-vertical quality, the visual register of Salisbury-Cathedral-and-Chartres-Cathedral hand-built tall-pointed Gothic-and-Romanesque cathedral-spire architectural surfaces under tall-cathedral-spire-against-sky light. Sits at the modifier-and-architecture end of the grid, parallel to tower and turret in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#44b3ad
Original
#a9aaad
Protanopia
#989dae
Deuteranopia
#00b8b1
Tritanopia
#9b9b9b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.53:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##44B3AD
Display P3
Display P3
color(display-p3 0.3924 0.6928 0.6757)
P3 has subtle headroomOKLCH chroma 0.100

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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