Pressed Dew Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Old English dēaw, morning-moisture. As a color modifier, dew implies a beaded-and-fresh-and-morning-moisture quality, the visual register of spider-web-and-meadow-grass-dew hand-beaded-and-pearl-and-morning spider-web-and-meadow-grass-and-petal-edge dewed-and-beaded-and-pearl surfaces under spider-web-and-meadow-grass first-light-of-dawn-and-rising-mist-and-pearl morning-meadow-light. Sits at the modifier-and-mood end of the grid, parallel to mist and gleam in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.