Sanitary Sway Verdigris

Latin sānitās, health — adjectival suffix -ary. As a color modifier, sanitary implies a clear-and-clean-and-medical quality, the crisp color of Bauhaus-and-Modern clinical-and-hospital interior-architecture white-tile-and-stainless-steel surfaces. Sits at the crisp-and-clean end of the grid, parallel to hygienic and sterile in usage.

Middle English swēven, to-move-side-to-side. As a color modifier, sway implies a side-to-side-and-rocking-and-rhythmic quality, the visual register of willow-branch-and-tall-grass-sway hand-side-to-side-and-rocking-and-rhythmic willow-branch-and-tall-grass-and-pendulum-clock swayed-and-side-to-side-and-rocking-and-rhythmic surfaces under willow-branch-and-tall-grass-and-pendulum-clock breeze-rocked-and-pendulum-and-cradle riverbank-meadow-light. Sits at the modifier-and-mood end of the grid, parallel to drift and float in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.