colors
Back to gallery

Senatorial Year Ultramarine

#4462bd
Notes

Senatorial Year Ultramarine (#4462BD) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (225°, 48%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#4462bd
RGB
rgb(68, 98, 189)
HSL
hsl(225, 48%, 50%)
HWB
hwb(225 27% 26%)
OKLCH
oklch(52.1% 0.147 267.4)
P3
color(display-p3 0.2918 0.3811 0.7174)
HSV
hsv(225, 64%, 74%)
LAB
lab(43.71% 18.33 -51.28)
LCH
lch(43.71% 54.46 289.67)
CMYK
cmyk(64%, 48%, 0%, 26%)

Etymology

Senatorial
adjective

Latin senātōrius, of the senator — adjectival suffix. As a color modifier, senatorial implies a saturated-and-aristocratic-and-Roman-Republic quality, the deep-rich color of Roman-Senate toga praetexta purple-bordered ceremonial-citizen-class livery. Sits at the bold-and-aristocratic end of the grid, parallel to patrician and imperial.

Year
modifier

Old English gēar, year. As a color modifier, year implies an annual-cycle quality, the visual register of agricultural-and-pastoral yearly-rhythm seedtime-and-harvest seasonal-cycle pasture-and-arable surfaces under year-long pastoral-and-agricultural sky. Sits at the modifier-and-time end of the grid, parallel to cycle and phase in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4462bd
Original
#336dc0
Protanopia
#1a62bb
Deuteranopia
#007786
Tritanopia
#626262
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.73:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4462BD
Display P3
Display P3
color(display-p3 0.2918 0.3811 0.7174)
P3 has subtle headroomOKLCH chroma 0.147

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas