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Sumptuous Genji

#444cad
Notes

Sumptuous Genji (#444CAD) is a true blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (235°, 44%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#444cad
RGB
rgb(68, 76, 173)
HSL
hsl(235, 44%, 47%)
HWB
hwb(235 27% 32%)
OKLCH
oklch(46.5% 0.153 275.2)
P3
color(display-p3 0.2725 0.2971 0.6551)
HSV
hsv(235, 61%, 68%)
LAB
lab(36.77% 26.87 -53.07)
LCH
lch(36.77% 59.49 296.86)
CMYK
cmyk(61%, 56%, 0%, 32%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Genji
noun

The eponymous nobleman of The Tale of Genji (Genji Monogatari, 1010 CE) by Murasaki Shikibu, whose silk-on-silk court robes were dyed in graduated layers of murasaki and aizome. Genji color refers to a layered Heian-period court robe in the kasane no irome tradition: a saturated, slightly cool deep blue-violet with the silk luster of multi-layer kasane dyeing.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#444cad
Original
#005bb0
Protanopia
#0052ab
Deuteranopia
#006375
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.28:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##444CAD
Display P3
Display P3
color(display-p3 0.2725 0.2971 0.6551)
P3 has subtle headroomOKLCH chroma 0.153

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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