Pleasant Shawl Verdigris

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Persian shāl, long-folded-wrap. As a color modifier, shawl implies a Persian-Kashmiri-and-paisley-folded-wrap quality, the visual register of Persian-Kashmiri-and-paisley-shawl hand-Persian-Kashmiri-and-paisley-folded-wrap Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom shawl-and-Persian-Kashmiri-and-paisley-folded-wrap surfaces under Persian-Kashmiri-and-paisley-shawl-and-Norwich-and-Paisley-loom Mughal-Kashmir-and-Norwich-and-Paisley-loom paisley-shawl-light. Sits at the modifier-and-textile end of the grid, parallel to stole and sash in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.