Workmanlike Domus Verdigris

Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.

Latin domus, house-or-home. As a color modifier, domus implies a Latin-house-and-Roman-domus-and-atrium quality, the visual register of Pompeian-domus-and-Roman-atrium hand-Latin-house-and-Roman-domus-and-atrium Pompeian-domus-and-Roman-atrium-and-impluvium domus-and-Latin-house surfaces under Pompeian-domus-and-Roman-atrium-and-impluvium Pompeian-and-Herculaneum-domus Roman-villa-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and via in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.