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Candid Mill Verdigris

#42bcbe
Notes

Candid Mill Verdigris (#42BCBE) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 49%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#42bcbe
RGB
rgb(66, 188, 190)
HSL
hsl(181, 49%, 50%)
HWB
hwb(181 26% 25%)
OKLCH
oklch(73.0% 0.106 196.7)
P3
color(display-p3 0.4017 0.7274 0.7394)
HSV
hsv(181, 65%, 75%)
LAB
lab(70.06% -32.35 -10.93)
LCH
lch(70.06% 34.15 198.66)
CMYK
cmyk(65%, 1%, 0%, 25%)

Etymology

Candid
adjective

Latin candidus, bright-white / honest — derived from candēre (to shine). As a color modifier, candid implies a clear-and-honest-and-direct quality where the hue carries the visual register of straightforward-honest declaration. Sits at the crisp-and-honest end of the grid, parallel to frank and plainspoken in usage.

Mill
modifier

Old English mylen, grinding-machine. As a color modifier, mill implies a wheel-and-grinding-stone quality, the visual register of English-watermill-and-Dutch-windmill hand-built water-wheel-and-sail-arm grain-grinding rural-industrial surfaces under English-watermill-and-Dutch-polder rural-pastoral light. Sits at the modifier-and-place end of the grid, parallel to kiln and barn in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#42bcbe
Original
#b0b3be
Protanopia
#9da5bf
Deuteranopia
#00c2bc
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.17:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##42BCBE
Display P3
Display P3
color(display-p3 0.4017 0.7274 0.7394)
P3 has subtle headroomOKLCH chroma 0.106

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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