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Steady Dale Verdigris

#42a7a7
Notes

Steady Dale Verdigris (#42A7A7) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (180°, 43%, 46%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#42a7a7
RGB
rgb(66, 167, 167)
HSL
hsl(180, 43%, 46%)
HWB
hwb(180 26% 35%)
OKLCH
oklch(67.0% 0.092 195.2)
P3
color(display-p3 0.3710 0.6464 0.6505)
HSV
hsv(180, 60%, 65%)
LAB
lab(63.00% -28.76 -8.73)
LCH
lch(63.00% 30.05 196.89)
CMYK
cmyk(60%, 0%, 0%, 35%)

Etymology

Steady
adjective

Old English stede, place, position — drifted to mean firm and unmoving. Used as a color modifier since the seventeenth century for hues that read as reliable rather than dramatic. Steady gray, steady green: moderate saturation combined with optical calmness. Sits in the crisp-bucket center alongside settled.

Dale
modifier

Old English dæl, valley. As a color modifier, dale implies a Yorkshire-pastoral-valley quality, the visual register of Yorkshire-and-Derbyshire-Dales limestone-walled river-valley pasture-and-stone-wall pastoral surfaces in slow-river-cut Northern-English Dale-country light. Sits at the modifier-and-place end of the grid, parallel to vale and glen in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#42a7a7
Original
#9d9fa7
Protanopia
#8d93a8
Deuteranopia
#00aca7
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.87:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##42A7A7
Display P3
Display P3
color(display-p3 0.3710 0.6464 0.6505)
P3 has subtle headroomOKLCH chroma 0.092

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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