Pressed Hill Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Old English hyll, natural elevation. As a color modifier, hill implies a rolling-rise-and-pasture quality, the visual register of South-Downs-and-Cotswolds rolling chalk-and-limestone hill-pasture-and-sheep-grazed open surfaces under broad rolling-hill English-pastoral sky. Sits at the modifier-and-place end of the grid, parallel to dale and bluff in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.