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Plain Set Verdigris

#41babc
Notes

Plain Set Verdigris (#41BABC) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 49%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#41babc
RGB
rgb(65, 186, 188)
HSL
hsl(181, 49%, 50%)
HWB
hwb(181 25% 26%)
OKLCH
oklch(72.4% 0.105 196.7)
P3
color(display-p3 0.3968 0.7196 0.7316)
HSV
hsv(181, 65%, 74%)
LAB
lab(69.38% -32.12 -10.86)
LCH
lch(69.38% 33.91 198.68)
CMYK
cmyk(65%, 1%, 0%, 26%)

Etymology

Plain
adjective

Latin planus, flat, level — used as a color modifier since the medieval period for hues that read as undecorated and direct. Plain white, plain blue: moderate saturation, no shift, no surface effect. Sits in the crisp-bucket center, with the implication of restraint rather than absence.

Set
modifier

Old English settan, to put-down. As a color modifier, set implies a sunset-and-descending quality, the visual register of clear-sky western-horizon sunset-and-moonset descending-celestial-body atmospheric Rayleigh-scattered Belt-of-Venus orange-and-violet surfaces under descending-horizon-and-sunset light. Sits at the modifier-and-time end of the grid, parallel to rise and eve in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#41babc
Original
#aeb1bc
Protanopia
#9ba4bd
Deuteranopia
#00c0ba
Tritanopia
#a0a0a0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.97:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##41BABC
Display P3
Display P3
color(display-p3 0.3968 0.7196 0.7316)
P3 has subtle headroomOKLCH chroma 0.105

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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