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Salubrious Glazed Verdigris

#40bdb5
Notes

Salubrious Glazed Verdigris (#40BDB5) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 49%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#40bdb5
RGB
rgb(64, 189, 181)
HSL
hsl(176, 49%, 50%)
HWB
hwb(176 25% 26%)
OKLCH
oklch(72.9% 0.109 188.9)
P3
color(display-p3 0.3995 0.7312 0.7073)
HSV
hsv(176, 66%, 74%)
LAB
lab(70.05% -35.66 -6.02)
LCH
lch(70.05% 36.16 189.58)
CMYK
cmyk(66%, 0%, 4%, 26%)

Etymology

Salubrious
adjective

Latin salūbris, healthful — adjectival suffix -ous. As a color modifier, salubrious implies a clear-and-healthful-and-fresh quality, the crisp color of Alpine-and-Sea-air health-resort and Mediterranean-coast spa-and-thalassotherapy outdoor environment. Sits at the crisp-and-wholesome end of the grid, parallel to healthful and bracing in usage.

Glazed
modifier

Old English glæs, glass. As a color modifier, glazed implies a fired-pottery-glaze-and-glass-coating quality, the visual register of Stoke-on-Trent-and-Italian-Maiolica-glazed hand-applied-and-fired ceramic-and-pottery-and-tile-glaze Stoke-on-Trent-and-Italian-Maiolica glazed-pottery surfaces under Stoke-on-Trent-and-Italian-Maiolica hand-glazed pottery-and-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to gloss and enameled in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#40bdb5
Original
#b3b3b5
Protanopia
#a0a5b6
Deuteranopia
#00c2ba
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##40BDB5
Display P3
Display P3
color(display-p3 0.3995 0.7312 0.7073)
P3 has subtle headroomOKLCH chroma 0.109

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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