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Pressed Spark Verdigris

#40b9bd
Notes

Pressed Spark Verdigris (#40B9BD) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (182°, 49%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#40b9bd
RGB
rgb(64, 185, 189)
HSL
hsl(182, 49%, 50%)
HWB
hwb(182 25% 26%)
OKLCH
oklch(72.2% 0.105 198.3)
P3
color(display-p3 0.3934 0.7158 0.7349)
HSV
hsv(182, 66%, 74%)
LAB
lab(69.08% -31.51 -11.85)
LCH
lch(69.08% 33.66 200.61)
CMYK
cmyk(66%, 2%, 0%, 26%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Spark
modifier

Old English spearca, small-ember. As a color modifier, spark implies a small-bright-and-flying-ember quality, the visual register of blacksmith-anvil-and-bonfire-spark hand-small-bright-and-flying-ember blacksmith-anvil-and-bonfire-and-flint-strike sparked-and-small-bright-and-flying surfaces under blacksmith-anvil-and-bonfire-and-flint-strike orange-glow-and-iron-and-flint forge-and-hearth-light. Sits at the modifier-and-mood end of the grid, parallel to flash and flare in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#40b9bd
Original
#acb1bd
Protanopia
#99a3be
Deuteranopia
#00bfba
Tritanopia
#a0a0a0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.36:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##40B9BD
Display P3
Display P3
color(display-p3 0.3934 0.7158 0.7349)
P3 has subtle headroomOKLCH chroma 0.105

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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