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Practical End Verdigris

#40b9b0
Notes

Practical End Verdigris (#40B9B0) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 49%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#40b9b0
RGB
rgb(64, 185, 176)
HSL
hsl(176, 49%, 49%)
HWB
hwb(176 25% 27%)
OKLCH
oklch(71.7% 0.106 188.0)
P3
color(display-p3 0.3934 0.7158 0.6882)
HSV
hsv(176, 65%, 73%)
LAB
lab(68.69% -35.17 -5.28)
LCH
lch(68.69% 35.57 188.53)
CMYK
cmyk(65%, 0%, 5%, 27%)

Etymology

Practical
adjective

Greek praktikós, practical — adjectival suffix -al. As a color modifier, practical implies a clear-and-purpose-fit-and-everyday quality where the hue carries the visual register of Shaker-and-Quaker utilitarian-and-functional everyday-life craft. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

End
modifier

Old English ende, end / finish. As a color modifier, end implies a final-and-conclusion quality, the visual register of day's-end-and-year's-end final-and-conclusion close-of-period-and-end-of-day twilight-and-final-light surfaces under twilight close-of-period light. Sits at the modifier-and-time end of the grid, parallel to fall and eve in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#40b9b0
Original
#afafb0
Protanopia
#9da2b1
Deuteranopia
#00bdb6
Tritanopia
#9f9f9f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.39:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##40B9B0
Display P3
Display P3
color(display-p3 0.3934 0.7158 0.6882)
P3 has subtle headroomOKLCH chroma 0.106

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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