Noble Mirth Royal

Latin nōbilis, well-known / illustrious — sharing root with gnōscere (to know). As a color modifier, noble implies a saturated-and-dignified-and-aristocratic quality, the deep-rich color of pre-modern European noble-class hereditary-aristocratic livery-and-armorial bearings. Sits at the bold-and-aristocratic end of the grid, parallel to aristocratic and highborn in usage.

Old English myrgth, joy-or-pleasure. As a color modifier, mirth implies a hearty-and-laughing-and-festive quality, the visual register of Twelfth-Night-and-Mardi-Gras-mirth hand-hearty-and-laughing-and-festive Twelfth-Night-and-Mardi-Gras-and-Saturnalia mirthed-and-hearty-and-laughing-and-festive surfaces under Twelfth-Night-and-Mardi-Gras-and-Saturnalia banquet-hall-and-festival-square candlelit-revelry-light. Sits at the modifier-and-mood end of the grid, parallel to glee and merry in usage.

The blue of European royal court dress and regalia from the late seventeenth century forward — the color of British peers' robes, French royal sashes, the lining of the crown-jewel cases. The color refers to a saturated, slightly violet-shifted blue with the matte finish of velvet or melton wool dyed to maximum intensity: deeper than cornflower, warmer than ultramarine, with the heraldic weight of a color reserved for monarchs and the official Crown.