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Untroubled Twine Verdigris

#3fa4a1
Notes

Untroubled Twine Verdigris (#3FA4A1) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (178°, 44%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3fa4a1
RGB
rgb(63, 164, 161)
HSL
hsl(178, 44%, 45%)
HWB
hwb(178 25% 36%)
OKLCH
oklch(66.0% 0.093 192.4)
P3
color(display-p3 0.3604 0.6347 0.6280)
HSV
hsv(178, 62%, 64%)
LAB
lab(61.81% -29.53 -7.14)
LCH
lch(61.81% 30.38 193.59)
CMYK
cmyk(62%, 0%, 2%, 36%)

Etymology

Untroubled
adjective

Latin turbāre, to disturb — negative-prefix un- plus past-participle of trouble. As a color modifier, untroubled implies a clear-and-calm-and-undisturbed quality where the hue carries no visual agitation. Sits at the crisp-and-calm end of the grid, parallel to serene and placid in usage.

Twine
modifier

Old English twīn, double-thread. As a color modifier, twine implies a hand-twisted-string quality, the visual register of hand-twisted-and-laid-twine hand-twisted-and-laid string-and-twine-and-cord hand-twisted-twine-and-cord surfaces under hand-twisted-and-laid-twine working light. Sits at the modifier-and-texture end of the grid, parallel to cord and twined in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3fa4a1
Original
#9a9ca1
Protanopia
#8b90a2
Deuteranopia
#00a9a3
Tritanopia
#8e8e8e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.98:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3FA4A1
Display P3
Display P3
color(display-p3 0.3604 0.6347 0.6280)
P3 has subtle headroomOKLCH chroma 0.093

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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