Heroic Hyssop Ultramarine

Latin hēroicus, of a hero — derived from Greek hērōs. As a color modifier, heroic implies a saturated-and-monumental-and-victorious quality, the deep-rich color of Wagner-and-Sibelius late-Romantic-era musical-and-painterly heroic-mode. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and valiant.

Hebrew ēzōb, Biblical-purifying-herb. As a color modifier, hyssop implies a Biblical-purifying-herb-and-monastic-physic-garden quality, the visual register of monastic-physic-garden-and-Biblical-hyssop hand-Biblical-purifying-herb-and-monastic-physic-garden monastic-physic-garden-and-Biblical-hyssop-and-Cluniac-cloister hyssop-and-Biblical-purifying-herb surfaces under monastic-physic-garden-and-Biblical-hyssop-and-Cluniac-cloister Cluny-and-Saint-Gall-physic-garden monastic-physic-light. Sits at the modifier-and-flavor end of the grid, parallel to savory and balm in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.