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Looming Madder

#3f1310
Notes

Looming Madder (#3F1310) is a deep red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 59%, 15%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3f1310
RGB
rgb(63, 19, 16)
HSL
hsl(4, 59%, 15%)
HWB
hwb(4 6% 75%)
OKLCH
oklch(25.8% 0.070 26.9)
P3
color(display-p3 0.2267 0.0857 0.0705)
HSV
hsv(4, 75%, 25%)
LAB
lab(12.99% 21.27 12.86)
LCH
lch(12.99% 24.86 31.16)
CMYK
cmyk(0%, 70%, 75%, 75%)

Etymology

Looming
adjective

Middle English lomen, to appear vaguely — present-participle of loom. As a color modifier, looming implies a deep-and-vague-and-imposing quality, the dark cool-gray of fog-veiled-and-distant cliff-or-mountain-mass against the sky. Sits at the deep-and-imposing end of the grid, parallel to imposing and towering.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3f1310
Original
#1f1c0f
Protanopia
#2a250f
Deuteranopia
#460a13
Tritanopia
#1c1c1c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
16.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3F1310
Display P3
Display P3
color(display-p3 0.2267 0.0857 0.0705)
Inside sRGBOKLCH chroma 0.070

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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