Burnt Cinnamon
Burnt Cinnamon (#3F1201) is a deep orange with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (16°, 97%, 13%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The past participle of burn used as a color modifier — most familiar in burnt sienna and burnt umber, the pigments produced by firing raw earth pigments to deepen and warm them. Implies a color that has been reduced and concentrated by heat, with the slight red-orange shift that high-temperature oxidation introduces. Sits in the dark-and-warm corner of the engine's grid.
The inner bark of Cinnamomum verum, the Sri Lankan true cinnamon — harvested in thin scrolls and dried into the curled quills familiar from spice shelves. The color is freshly ground cinnamon powder: a warm, slightly dusty red-brown that sits between rust and cocoa. Warmer than walnut, drier than caramel, with the resinous warmth of a spice that has driven trade routes since the Roman Empire.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.