Pressed Terra Verdigris

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Latin terra, earth-or-land. As a color modifier, terra implies a earth-globe-and-loamy-and-grounded quality, the visual register of Pale-Blue-Dot-and-Apollo-Terra hand-earth-globe-and-loamy-and-grounded Pale-Blue-Dot-and-Apollo-and-Earthrise terra-and-earth-globe-and-loamy-and-grounded surfaces under Pale-Blue-Dot-and-Apollo-and-Earthrise lunar-orbit-and-deep-space earth-globe-light. Sits at the modifier-and-cosmic end of the grid, parallel to luna and sol in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.