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Stripped Flock Verdigris

#3ebbbd
Notes

Stripped Flock Verdigris (#3EBBBD) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (181°, 51%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3ebbbd
RGB
rgb(62, 187, 189)
HSL
hsl(181, 51%, 49%)
HWB
hwb(181 24% 26%)
OKLCH
oklch(72.6% 0.107 196.6)
P3
color(display-p3 0.3928 0.7234 0.7355)
HSV
hsv(181, 67%, 74%)
LAB
lab(69.64% -32.76 -11.03)
LCH
lch(69.64% 34.56 198.60)
CMYK
cmyk(67%, 1%, 0%, 26%)

Etymology

Stripped
adjective

Old English stripian, to strip — past-participle of strip. As a color modifier, stripped implies a clear-and-bared-and-unornamented quality, the crisp color of Cistercian-and-Bauhaus anti-ornamental stripped-down architectural interior. Sits at the crisp-and-stripped end of the grid, parallel to spare and bare in usage.

Flock
modifier

Latin floccus, tuft-of-wool. As a color modifier, flock implies a tuft-of-wool-and-flocked-paper quality, the visual register of Victorian-flocked-wallpaper-and-Tudor-flocked-velvet hand-applied-and-tufted flocked-wallpaper-and-velvet flock-and-tuft surfaces under Victorian-flocked-wallpaper-and-Tudor-flocked-velvet interior-decoration light. Sits at the modifier-and-texture end of the grid, parallel to fluff and tufted in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3ebbbd
Original
#afb2bd
Protanopia
#9ba4be
Deuteranopia
#00c1bb
Tritanopia
#a1a1a1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.32:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3EBBBD
Display P3
Display P3
color(display-p3 0.3928 0.7234 0.7355)
P3 has subtle headroomOKLCH chroma 0.107

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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