Easy Domus Verdigris

Old French aisié, comfortable, at rest — used as a color modifier since the eighteenth century for hues that read as visually undemanding. Easy beige, easy gray: moderate saturation combined with optical restfulness. Sits at the crisp-bucket center alongside calm and settled.

Latin domus, house-or-home. As a color modifier, domus implies a Latin-house-and-Roman-domus-and-atrium quality, the visual register of Pompeian-domus-and-Roman-atrium hand-Latin-house-and-Roman-domus-and-atrium Pompeian-domus-and-Roman-atrium-and-impluvium domus-and-Latin-house surfaces under Pompeian-domus-and-Roman-atrium-and-impluvium Pompeian-and-Herculaneum-domus Roman-villa-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and via in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.