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Glowing Eave Jade

#3eb465
Notes

Glowing Eave Jade (#3EB465) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (140°, 49%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3eb465
RGB
rgb(62, 180, 101)
HSL
hsl(140, 49%, 47%)
HWB
hwb(140 24% 29%)
OKLCH
oklch(68.5% 0.156 150.8)
P3
color(display-p3 0.3821 0.6964 0.4267)
HSV
hsv(140, 66%, 71%)
LAB
lab(65.44% -50.42 30.85)
LCH
lch(65.44% 59.11 148.54)
CMYK
cmyk(66%, 0%, 44%, 29%)

Etymology

Glowing
adjective

The progressive participle of glow, to emit light — used as a color word since the medieval period for hues that read as if they were luminous from within. Glowing amber, glowing rose: the implication is moderate saturation combined with the optical impression of internal light. Sits in the bright-bucket alongside radiant.

Eave
modifier

Old English efes, roof-edge. As a color modifier, eave implies a roof-overhang-and-edge quality, the visual register of Japanese-engawa-and-English-eave hand-built roof-overhang-and-edge eave-and-fascia-and-soffit architectural surfaces under Japanese-and-English eave-edge filtered light. Sits at the modifier-and-architecture end of the grid, parallel to gable and frieze in usage.

Jade
noun

Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3eb465
Original
#b5a55f
Protanopia
#a69b6a
Deuteranopia
#07b1a1
Tritanopia
#959595
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3EB465
Display P3
Display P3
color(display-p3 0.3821 0.6964 0.4267)
P3 has subtle headroomOKLCH chroma 0.156

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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