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Pressed Gnome Turquoise

#3dbcd1
Notes

Pressed Gnome Turquoise (#3DBCD1) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (189°, 62%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3dbcd1
RGB
rgb(61, 188, 209)
HSL
hsl(189, 62%, 53%)
HWB
hwb(189 24% 18%)
OKLCH
oklch(73.6% 0.112 210.9)
P3
color(display-p3 0.3925 0.7272 0.8082)
HSV
hsv(189, 71%, 82%)
LAB
lab(70.57% -27.44 -20.59)
LCH
lch(70.57% 34.30 216.88)
CMYK
cmyk(71%, 10%, 0%, 18%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Gnome
modifier

Latin gnomus, earth-elemental-of-Paracelsus. As a color modifier, gnome implies an earth-elemental-and-subterranean-and-mining quality, the visual register of Paracelsian-gnome-and-Alpine-mining-folk hand-earth-elemental-and-subterranean-and-mining Paracelsian-gnome-and-Alpine-mining-folk-and-Renaissance-occult gnome-and-earth-elemental-and-subterranean surfaces under Paracelsian-gnome-and-Alpine-mining-folk-and-Renaissance-occult Alpine-mountain-and-mine-shaft underground-elemental-light. Sits at the modifier-and-myth end of the grid, parallel to sprite and pixie in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3dbcd1
Original
#abb5d2
Protanopia
#96a6d1
Deuteranopia
#00c5c2
Tritanopia
#a3a3a3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3DBCD1
Display P3
Display P3
color(display-p3 0.3925 0.7272 0.8082)
P3 has subtle headroomOKLCH chroma 0.112

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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