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Saturated Prowl Forest

#3d9a47
Notes

Saturated Prowl Forest (#3D9A47) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (126°, 43%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3d9a47
RGB
rgb(61, 154, 71)
HSL
hsl(126, 43%, 42%)
HWB
hwb(126 24% 40%)
OKLCH
oklch(61.1% 0.149 145.4)
P3
color(display-p3 0.3419 0.5961 0.3163)
HSV
hsv(126, 60%, 60%)
LAB
lab(56.64% -45.23 35.22)
LCH
lch(56.64% 57.32 142.09)
CMYK
cmyk(60%, 0%, 54%, 40%)

Etymology

Saturated
adjective

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Prowl
modifier

Middle English prollen, to-roam-and-search. As a color modifier, prowl implies a stalking-and-hunting-and-watchful quality, the visual register of panther-and-tiger-prowl hand-stalking-and-hunting-and-watchful panther-and-tiger-and-leopard prowled-and-stalking-and-hunting-and-watchful surfaces under panther-and-tiger-and-leopard jungle-and-savanna-and-night-forest big-cat-light. Sits at the modifier-and-mood end of the grid, parallel to stalk and lurk in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3d9a47
Original
#9c8d40
Protanopia
#90854d
Deuteranopia
#299687
Tritanopia
#808080
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.55:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3D9A47
Display P3
Display P3
color(display-p3 0.3419 0.5961 0.3163)
P3 has subtle headroomOKLCH chroma 0.149

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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