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Mired Nineveh

#3d1d3d
Notes

Mired Nineveh (#3D1D3D) is a deep violet with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (300°, 36%, 18%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3d1d3d
RGB
rgb(61, 29, 61)
HSL
hsl(300, 36%, 18%)
HWB
hwb(300 11% 76%)
OKLCH
oklch(28.9% 0.070 327.2)
P3
color(display-p3 0.2225 0.1201 0.2326)
HSV
hsv(300, 52%, 24%)
LAB
lab(16.54% 21.28 -13.91)
LCH
lch(16.54% 25.42 326.84)
CMYK
cmyk(0%, 52%, 0%, 76%)

Etymology

Mired
adjective

Old Norse mýrr, mire / bog — past-participle of mire. As a color modifier, mired implies the deep-and-stuck-and-warm-brown quality of bog-and-peat-and-marsh-mud-immersion, like a Yorkshire-Moors hiker's boots after a rainy day on the saturated peat. Sits at the deep-and-warm end of the grid, parallel to peat-stained with earthy register.

Nineveh
noun

Assyrian capital (modern Mosul, Iraq) — the imperial court of Sennacherib (705–681 BCE), where Tyrian purple tribute textiles were imported from the Phoenician coast. Nineveh color refers to an Assyrian-court purpura-bordered tribute textile in the Library of Ashurbanipal: a saturated, slightly cool deep violet with the matte finish of multi-bath shellfish dye on hand-loomed Mesopotamian wool.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3d1d3d
Original
#1a263e
Protanopia
#232a3c
Deuteranopia
#3f202a
Tritanopia
#262626
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
14.57:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.44:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3D1D3D
Display P3
Display P3
color(display-p3 0.2225 0.1201 0.2326)
Inside sRGBOKLCH chroma 0.070

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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