Acid Chervil Malachite
Acid Chervil Malachite (#3BD476) is a true green with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (143°, 64%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin acidus, sour — sharing root with English acrid and acerbic. As a color modifier, acid implies a saturated-and-citric-and-zingy quality, the bright color of lemon-and-lime citrus-fruit-flesh and acid-yellow fluorescent-pigment surfaces. Sits at the bright-and-cool end of the grid, parallel to acidic and electric in usage.
Latin chaerephylla, delicate-French-fines-herbes. As a color modifier, chervil implies a delicate-French-fines-herbes-and-anise-leaf quality, the visual register of French-fines-herbes-and-Lyon-bistro-chervil hand-delicate-French-fines-herbes-and-anise-leaf French-fines-herbes-and-Lyon-bistro-chervil-and-spring-vinaigrette chervil-and-delicate-French-fines-herbes surfaces under French-fines-herbes-and-Lyon-bistro-chervil-and-spring-vinaigrette Lyon-bouchon-and-Loire-Valley-spring spring-bistro-light. Sits at the modifier-and-flavor end of the grid, parallel to chive and dill in usage.
A copper carbonate mineral — Cu₂CO₃(OH)₂ — that crystallizes as concentric green bands in oxidized copper deposits. Mined for ornamental stone since ancient Egypt, ground into pigment for medieval European painting, polished into the malachite columns of the Russian Hermitage. The color refers to a polished cabochon: a saturated, slightly muted green with the high shine of stone and the visible banding of growth rings.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.