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Open Strand Verdigris

#3bb7b7
Notes

Open Strand Verdigris (#3BB7B7) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (180°, 51%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3bb7b7
RGB
rgb(59, 183, 183)
HSL
hsl(180, 51%, 47%)
HWB
hwb(180 23% 28%)
OKLCH
oklch(71.3% 0.106 195.0)
P3
color(display-p3 0.3812 0.7079 0.7126)
HSV
hsv(180, 68%, 72%)
LAB
lab(68.18% -33.01 -9.91)
LCH
lch(68.18% 34.47 196.71)
CMYK
cmyk(68%, 0%, 0%, 28%)

Etymology

Open
adjective

Old English open, unobstructed — used as a color modifier since the eighteenth century for hues that read as airy or uncrowded. Open blue, open green: moderate saturation combined with optical spaciousness, the slight visual breath of a hue that doesn't crowd the surface it covers. Sits at the crisp-bucket center alongside clear.

Strand
modifier

Old English strand, shore / beach. As a color modifier, strand implies a London-Thames-bank-and-Anglo-Saxon-shore quality, the visual register of London-Strand-and-North-Sea-coast tidal-shore-and-river-bank embankment-and-walking-promenade surfaces under London-Strand-and-North-Sea-coast tidal-edge atmospheric light. Sits at the modifier-and-place end of the grid, parallel to shore and coast in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3bb7b7
Original
#abaeb7
Protanopia
#98a0b8
Deuteranopia
#00bdb7
Tritanopia
#9d9d9d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.64:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3BB7B7
Display P3
Display P3
color(display-p3 0.3812 0.7079 0.7126)
P3 has subtle headroomOKLCH chroma 0.106

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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