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Mapped Stir Verdigris

#3ba79f
Notes

Mapped Stir Verdigris (#3BA79F) is a true cyan with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (176°, 48%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#3ba79f
RGB
rgb(59, 167, 159)
HSL
hsl(176, 48%, 44%)
HWB
hwb(176 23% 35%)
OKLCH
oklch(66.5% 0.098 188.1)
P3
color(display-p3 0.3568 0.6461 0.6217)
HSV
hsv(176, 65%, 65%)
LAB
lab(62.57% -32.22 -4.91)
LCH
lch(62.57% 32.59 188.66)
CMYK
cmyk(65%, 0%, 5%, 35%)

Etymology

Mapped
adjective

Latin mappa, cloth / napkin — past-participle of map. As a color modifier, mapped implies a clear-and-cartographic-and-surveyed quality, the crisp color of Ordnance-Survey-and-USGS scientific-and-cadastral cartographic-and-topographic mapping-and-projection. Sits at the crisp-and-mapped end of the grid, parallel to plotted and surveyed in usage.

Stir
modifier

Old English styrian, to-move-or-agitate. As a color modifier, stir implies a slow-moved-and-rippled-and-agitated quality, the visual register of cauldron-and-tea-cup-stir hand-slow-moved-and-rippled-and-agitated cauldron-and-tea-cup-and-pot-au-feu stirred-and-slow-moved-and-rippled-and-agitated surfaces under cauldron-and-tea-cup-and-pot-au-feu kitchen-hearth-and-witch's-fire-and-parlor-tea-table simmer-and-eddy-light. Sits at the modifier-and-mood end of the grid, parallel to swirl and eddy in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#3ba79f
Original
#9e9e9f
Protanopia
#8e92a0
Deuteranopia
#00aba4
Tritanopia
#8f8f8f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.21:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##3BA79F
Display P3
Display P3
color(display-p3 0.3568 0.6461 0.6217)
P3 has subtle headroomOKLCH chroma 0.098

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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